On This Day in 1918; Privates Ernest Jackson and Louis Harris, Shot Four Days Before The Armistice.


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The memorial to over 300 British soldiers shot during World War One. Jackson and Harris were the last.

In keeping with the Remembrance theme of this week I’ve decided to share this with you. During the First World War the British Army carried out over 300 executions by firing squad, around 10% of those British servicemen actually sentenced to death for crimes such as desertion, cowardice, striking a superior officer and mutiny among other capital military offences. This is the story of the last two men to shot at dawn during the First World War. They were shot on November 7, 1918, four days later the war was over and all military death sentences were commuted to prison sentences.

Private Ernest Jackson went first. He’d been conscripted in 1916, arriving in France that November. In April 1917 he went AWOL, Absent Without Leave, for 28 hours. The court martial sentenced him to two years hard labour, a non-capital sentence that was often commuted to a lesser punishment. Jackson’s sentence wasn’t commuted and he didn’t return to active service until August, 1918 when he was returned to his battalion after sixteen months behind bars.

It wasn’t long before he was facing another court martial, this time for a much more serious crime with fatal consequences. On September 29 he reported sick and was sent to Flesquieres to wait for transport to a military hospital via field ambulance. He was arrested by military police and returned to his unit at Noyelles, some 3000 yards behind the British front line trenches where, on October 3, he vanished again and was arrested near Douellen. On October 8 his weapons and equipment were found stashed away, not far from where he’d gone absent for the second time.

Jackson faced a Field General Court Martial on charges of going AWOL, desertion and ‘Shamefully casting away his arms, ammunition and equipment in the presence of the enemy.’ Going AWOL wasn’t a shooting offence, but desertion and casting away arms both were. The court martial showed him no leniency and nor did his superior officers when they considered his appeal. He was taken to the town of St. Python and shot at 6:10am on November 7, 1918. He was 32 years old.

Private Louis Harris was shot 19 minutes later and 25 kilometres away at Locquignol. Harris wasn’t originally a conscript. He’d volunteered in 1915, but been discharged as medically unfit. With mounting casualties and a constant need for replacements the Army relaxed its medical criteria to admit more recruits. Harris, despite having been previously medically discharged, was now considered fit enough to be conscripted. By peacetime military standards Harris wasn’t fit for service. In wartime and with a desperate need for more men, the Army decided he was still fit enough.

He arrived on the Western Front in July, 1916 and it wasn’t long before he began getting into difficulties with higher authority. On September 2 he disappeared from his unit during a skirmish at Rocquigny. Not a major battle, but a small action where witnesses reported there being “No firing and practically no opposition.” .

Harris had simply deserted his unit, thrown away his weapons and equipment and vanished. He was arrested the next day and brought before a Field General Court Martial on capital charges of desertion and cowardice. He put up almost no defence before the court and it seemed to some who were there that he either didn’t understand or didn’t care how much trouble he was in. He was convicted and condemned in short order, acquitted of cowardice but convicted of desertion, and his case went to appeal.

It did no good. Harris’s commanding officer recommended execution, not commutation. He described Harris as having a bad record in the battalion and his military value as being ‘Nil.’ The Brigade Commander was equally firm in denying clemency. He wrote:

‘I recommend that the extreme penalty be carried out for the following reasons:

  1. Pte. Harris’s action was deliberate.
  2. He has previously attempted to desert unsuccessfully.
  3. He is worthless as a soldier.
  4. During an action he deliberately abandoned his comrades.
  5. His example is a disgraceful one.’

Private Harris was shot at Locquignol at 6:29am on November 7, 1918. He was the last British soldier shot during the First World War. The bitter irony for both Private Jackson and Private Harris was that, with the Armistice starting at 11am on November 11, 1918, the well-known ‘eleventh hour of the eleventh month’, all existing military death sentences were then commuted. Had these men been sentenced a few days later they wouldn’t have returned home as conquering heroes, but then they wouldn’t have been shot either.

In 2006 all those shot at dawn during the First World War were pardoned. A permanent memorial now stands at the National Memorial Arboretum in the county of Staffordshire. Rudyard Kipling, whose son died during the battle of Loos, immortalied them long before it was fashionable to fight their corner. His poem ‘The Coward’ best sums up their fates:

‘I could not look on Death, which being known, men led me to him, blindfold and alone.’

I wrote a book.


So, time for one of my periodical plugs for Criminal Curiosities. As you might know it’s available via Amazon in ebook format, so feel free to pick up a copy and also to leaave an honest review.

https://www.amazon.co.uk/dp/B075X2LD2F

 

Crime Scribe

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It’s been quite some time since I last posted ere, but I have been extremely busy with paid work and earning a living. Part of that has been writing my first book.

Criminal Curiosities is a collection of crooks, all with something about their crime, trial or punishment that is singular to them. The first prisoner to face the guillotine, the first to commit a robbery using a landmine, the first case in which the murder victim’s actual body had a starring role in reconstructing the crime for the jury trying his killer and so on.

So, if you’re curious as to who was really America’s first Public Enemy Number One, ever wondered who was first to take a seat in the electric chair or perhaps you’ve never heard of the art forger brave enough to bilk Hermann Goering out of sixty million dollars (at today’s prices) feel free to…

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On This Day in 1961; James ‘Rabbit’ Kendrick, friend of Merle Haggard.


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Born on April 6, 1937 in Oildale, California, Merle Haggard’s troubles started early. His father died  which in 1945 affected him greatly. From then until 1960, he was in and out of trouble. Mostly in it.

School truancy, theft, burglary, robbery, passing bad checks, escapes, attempted robbery and attempted escape saw him mired firmly in trouble of one sort or another. In February, 1958 he was in Bakersfield Jail charged with attempted robbery, from which he escaped. Recaptured, he went to California’s legendary San Quentin for a 3-15-year stretch.

San Quentin was (and still is) a terrifying, rough, brutal place. The bad news is that it offers little but misery and hard time. The good news? They never run short of it. Assault, murder and rape are seen as everyday events because, in San Quentin, they are. Haggard described his arrival bluntly:

“We pulled up in a bus late at night and the walls are like 70 feet high and there’s armed guards everywhere and, if you’re not scared, there’s something wrong with you. It’s a bad place to go.”

Nobody acquainted with the prison’s entirely grim history and reputation could argue with that. San Quentin was and still is the location of California’s infamous ‘Condemned Row.’

The Row in 1958 was on the top floor of North Block backing on to the solitary confinement cells. Seeing as the solitary unit (known as ‘The Shelf’) was one where inmates weren’t allowed to talk, they could always hear the condemned talking just the other side of an internal wall. Haggard recounted ‘Red Light Bandit’ Caryl Chessman (executed on May 2, 1960) laughing as he received the offer of a life insurance policy in the mail. He’d probably have preferred a stay of execution or a commutation instead.

While at San Quentin, Haggard was a trouble-maker, regularly being given prison jobs and equally regularly being fired from them. He was also running a gambling and beer-making operation until he was caught having dipped once too often (and possibly a little too deeply) into his own supply. As a result he spent his 21st birthday, when Americans are legally old enough to drink, in solitary for doing exactly that:

“They caught me drinking some of my own beer, and I fell in the restroom and they figured I was drunk, so they took me and locked me up in jail inside of San Quentin. And that was where I decided to change directions in my life.”

It was just as well that he did. He faced a lengthy sentence with the likelihood of spending his life in and out of California’s penal system, hearing the chatter of condemned inmates only feet away (and presumably noticing the somber silences and hearing their goodbyes as they were led away to the gas chamber). All things considered it was a good time to ask himself exactly where his life was headed and whether he could direct it somewhere he actually wanted to go.

Inspiration came from several sources. Johnny Cash (who Haggard came to know well) played his first gig concert at San Quentin on New Year’s Day, 1959. It was a rousing success, both for Cash and for the inmates who very seldom got to see outside performers. Haggard was known in the prison as a guitarist and singer and, with Cash’s recent visit in mind, soon found himself besieged by other inmates wanting to learn guitar. As Haggard described Cash’s visit:

“He had the right attitude. He chewed gum, looked arrogant and flipped the bird to the guards – He did everything the prisoners wanted to do.”

Darker and equally potent inspiration came from an unlikely source, fellow con James ‘Rabbit’ Kendrick. Kendrick had an escape plan and, inviting Haggard to come with him, also cautioned him against it. So did several other prisoners. According to Haggard, Kendrick told him that, if cornered, he’d fight rather than surrender. Impressed by Haggard’s musical ability Kendrick told him to stick with it and serve his time:

“You can sing and write songs and play guitar real good. You can be somebody someday.”

Kendrick was right about Haggard, both were right about Haggard’s decision not to escape. Kendrick duly escaped, shipping out of San Quentin in a packing crate. His period of liberty lasted only two weeks before he shot California Highway Patrolman Richard Duvall and was recaptured. In fact, Kendrick did what he’d sworn not to do. Cornered and with no hope of escape, he surrendered.

Quickly convicted and condemned Kendrick soon returned to San Quentin as a resident of ‘Condemned Row.’ Like all prisoners Haggard learned to spot condemned prisoners when he saw them. Confined within the Row as much as possible, he seldom saw them anyway. When he did, usually headed for a court appearance or a final visit, they were always escorted by two guards. Haggard later described Kendrick’s last walk through the prison:

“Even though the crime was brutal and the guy was an incorrigible criminal, it’s a feeling you never forget, when see someone you know make that last walk. They bring him through the yard, and there’s a guard in front and a guard behind – That’s how you spot a death prisoner.”

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James ‘Rabbit’ Kendrick walked his last mile at 10am on November 3, 1961, one of eight prisoners executed that year. But he hadn’t just inspired Haggard to try turning his life around. Unwittingly, Kendrick provided creative inspiration as well. Haggard wrote a moving ballad about seeing a condemned prisoner led to their death. One of several songs he wrote about prison life, it became a hallmark of his;

‘Sing Me Back Home.’

Haggard took to redeeming himself. He earned his high school equivalency at San Quentin, playing in a prison band. On November 3, 1960, exactly a year before Kendrick died, he was paroled having been offered a job by his brother. $80 a week digging ditches wasn’t ideal, but he played bars and clubs as he had before San Quentin. Provided he kept on the right side of the law and his parole officer (he did he was free to attempt the music career that ‘Rabbit’ had urged him to pursue.

He pursued it with immense success, though not always without controversy. Haggard was unafraid to speak his mind even when his words weren’t always popular. He pioneered the ‘Bakersfield sound,’ a rougher, tougher, harder-edged antidote to more commercial country peddled in and around Nashville.

The less mainstream country artists banded together into a movement of which Haggard was an integral part, ‘outlaw country.’ In 1972 then-California Governor and future President Ronald Reagan granted Haggard a full pardon, sealing his place as a redeemed member of society and proving that Haggard had survived and thrived far beyond everybody’s expectations possibly including his own.

Always an outsider, often controversial, immensely influential, never afraid to speak his mind even when it cost him and now an icon of country music, Haggard’s career went from strength to strength. His health, however, declined in his later years. After years of suffering various illnesses he passed away on April 6, 2016, his 79th birthday.

On This Day in 1952, Edward Kelly and Wallace Ford, Jr.


1952 was a quiet year for the Sing Sing death house. Only three prisoners walked their last mile, Edward Kelly and Wallace Ford, Jr on October 30 and before them Bernard Stein on March 6. That was pretty quiet considering 1951 saw eight inmates die including Lonely Hearts Killers Raymond Fernandez and Martha Beck on March 8 of that year.

True to notoriety’s pecking order in which the most notorious inmates drew most attention, few people remember John King and Joseph Powers, killers of Detective Joseph Miccio and who died on the same night as Beck and Fernandez. When Julius and Ethel Rosenberg died on June 19, 1953 few people remembered that they were only two of six to die that year, although he Rosenbergs alone more than kept Sing Sing in the news.

Neither Ford or Kelly’s crimes were especially unusual which probably leaves you wondering why they appear here. While Ford’s crime was brutal, squalid and without any excuse or grounds for clemency (not unusual in the Sing Sing death house) Kelly was a rarity. While Ford had entered the death house never to leave it alive, this was Kelly’s second stint for the same crime.

There were 695 electrocutions in New York between William Kemmler (the world’s first on August 6, 1890) and Eddie Lee Mays (New York’s last on August 15, 1963). Initially New York had three electric chairs sited at Sing Sing, Auburn and Dannemora. Executions took place at all three until 194 when Sing Sing was designated the sole site for New York State, finally numbering 614 out of New York’s total.

There were anomalies, though. Around one inmate in three that entered the death house left alive via commutations to life imprisonment, successful appeals against their conviction or sentence or having been certified insane and sent to psychiatric institutions. With a successful appeal reversing their conviction some even left the death house and Sing Sing altogether, walking out into the bright light of freedom as though they’d never sat crossing dates of their calendar or come within days, hours or even minutes of death.

Edward Kelly was one of them. Originally condemned for the senseless murder of Eloise McHugh with a rifle (and then turning it on himself) Kelly arrived at Sing Sing on September 29, 1950. After winning his appeal and reversal of his conviction on July 1, 1951 Kelly walked out of Sing Sing on July 12 firmly believing he was one of that lucky third who’d never be coming back. He even left a warmly-worded letter for Warden Wilfred Denno, a man he never expected to see again. But we’ll be getting to that later

Suffice to say that Edward Kelly was wrong. Fatally so, in fact.

Kelly’s reversal was exactly that, a reversal and not an acquittal.  The State of New York was thus free to try him again. That Kelly had shot McHugh was in no doubt whatsoever, but the trial judge had misdirected the jury regarding Kelly’s insanity defence. According to the judge Kelly had to understand what he was doing OR that it was a crime. New York State’s appellate judges saw it differently. To be considered legally sane, they ruled, Kelly had to understand BOTH his act and the nature thereof, not one or the other. With that in mind they reversed his conviction (and his mandatory death sentence) and out he walked.

If Kelly thought he was home free, he wasn’t. With a reversal instead of an acquittal double jeopardy didn’t apply. New York State could try him again and did so, this time winning a conviction that withstood Kelly’s lawyers and their best efforts. Having walked out of Sing Sing’s death house on July 12, 1951, he walked back in on November 28 to be reunited with Warden Wilfred Denno and the death house guards Kelly’s letter had so warmly praised. In the same week as Edward Kelly began his second stint in the death house Wallace Ford, Jr arrived to begin his first (and last).

Unlike Kelly, Ford held no particular distinction. His crime, the kidnap and murder of his sister-in-law after his marriage folded, was brutal, squalid and utterly unnecessary. Hardly a rare breed among Sing Sing’s soon-to-be-dead then or now.  An argument with sister-in-law and victim Nancy Bridges over contact with his children saw Ford beat her unconscious, drive her to Genesee County. Once there he drove his car over her, reversing over her again to ensure her death. Not a man to inspire sympathy among appellate judges or the State Governor who still had the power to commute. In Ford’s case he chose not to. Convicted and condemned on November 30, 1951, he arrived at Sing Sing on December 4.

If Kelly’s case was unusual for Warden Denno it wasn’t unusual for State Electrician Joseph Francel. The fourth of five men to hold the title, Kelly and Ford would be numbers 130 and 131 of the 140 inmates he electrocuted between 1939 and 1953. After Kelly and Ford, Francel would throw the switch only nine more times before resigning in 1954.

Francel didn’t like the low pay, $150 for a single with an extra $50 per head for executing two or more prisoners in the same night. He’d also taken a dislike to the publicity surrounding his job, especially after the Rosenbergs in 1953. Kelly and Ford, however, were just another day at the office. With Ford and Kelly both out of appeals and Governor Thomas Dewey not inclined to be generous, preparations for the double event began.

12 hours before their scheduled time of 11pm Ford and Kelly were moved from their death house cells to a block of six pre-execution cells long nicknamed the Dance Hall, only 20 steps from the execution chamber itself. The execution team rehearsed, each guard knowing their particular part of the job. Francel, as was the custom, arrived in the afternoon to check the equipment and ensure it was running properly. Warden Denno had to meet and greet the official witnesses, ensuring that none had any hidden cameras as happened when Ruth Snyder was executed in 1928.

In the absence of any stays of execution, appellate rulings or executive clemency all Kelly and Ford could do was wait…

Ford had sent a letter to Judge Loughran of the New York State Court of Appeals. It did him no good, but he did cite a complaint common among condemned inmates even today;

‘My attorneys at the trial were appointed by the Genesee County Court and they also represented me on appeal before this Court. I sincerely do believe that to the limit of their knowledge, capabilities and experience, they faithfully and conscientiously did their collective best and utmost to protect my interest. However, Your Honor, they were both young men, comparatively young in the practice of law and for both my case was their first murder trial and appeal.’

It did Wallace Ford, Jr no good in 1952. It seldom does now.

As far Edward Kelly, sitting in his cell with head shaved and appeals exhausted, his own letter to Warden Denno on leaving the death house might well have come back to haunt him;

‘Dear Sir,

Due to the fact that I’m leaving the “Death House,” I cannot say I have any regrets, nor will I recommend it to anyone, but I can inform them that, if they are ever unfortunate enough to go to Sing Sing, they will be very well treated. I had no fault to find with anything or anybody during my stay, every reasonable request was granted. The entire staff of the prison are a credit to New York State. The officers and guards are as fine a group of men as you could find anywhere.

“Dick” and “Freddie” go about their duties as if they had a personal interest in the place, always helpful and ready with a word of cheer if needed. I enjoyed “Terry’s” homelike meals. It would certainly be a pleasure to meet everybody, including yourself, under different circumstances. I extend my best wishes to all, but I hope I never come back.

Sincerely,

Edward H Kelly, 109-821.’

Did these words, written as Kelly walked cheerfully from death to freedom, haunt him as he made the return journey?

 

Edith Cavell – Hand-wringing propaganda is not enough. Nor does it do her any service.


Crime Scribe

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“I am glad to die for my country.” – The last words of Edith Cavell.

Edith Cavell was shot by a German firing squad at the Tir National rifle range near Brussels on October 12, 1915, having been convicted by a German military court of aiding the enemy by helping Allied soldiers and escaped prisoners through Belgium into neutral Holland. Her death brought international condemnation for Germany, aided to the maximum by British propaganda seeking to take full advantage of her death. But, despite their publicly-stated desire to see her reprieved, how much could the British have done to save her? Did they do all they could? And, as a martyr to the British cause, was Edith Cavell worth more to them dead than alive?

The British propaganda machine certainly exploited her execution to the absolute maximum. Published accounts of her death range from the mildly-exaggerated to the blatantly dishonest…

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Justice; Regular or Extra Crispy.


Execution has long been part of criminal history, society’s ultimate sanction for the very worst offenders. Less enthusiastic supporters regard it as a necessary evil and a deterrent even while acknowledging its distasteful nature. Opponents believe it no deterrent at all, that it’s applied arbitrarily and makes society as uncivilized and barbarous as the condemned themselves. It is, they argue, vengeance dressed up as justice.

We’re not discussing the rights and wrongs of capital punishment, the most humane (or least inhumane) execution methods, wrongful convictions or excessive use. Like it or not it exists and the history of crime includes the history of punishment. That said, punishment sometimes takes unusual means inflicted by unusual people.

Mississippi and Louisiana adopted an unusual means. Mississippi’s executioner was certainly one of crime’s more unusual people.

The Deep South has a checkered history of crime and punishment. Brutal prison conditions, corruption, racism and the complete absence of rehabilitation were long cornerstones of its penal policy. To many Southerners (not all by any means) prisoners were there to suffer and be punished, broken or killed, not reformed or rehabilitated.

Prison wasn’t considered punishment in itself, but suffering while there certainly was. Bad food, hard labor, brutal punishments and rampant death from disease, malnutrition, overwork and often murder weren’t aberrations, they were the norm. When inmate workers died at Angola the attitude, held since its time as a slave plantation, was simple;

When one dies, get another.

Louisiana subjected inmates to forced labor for profit and brutal discipline, especially at Angola. Under the convict lease system of the time, inmates were expected to provide free labor under the harshest conditions making them a profitable asset. The harder they could be forced to work, the more profitable they were. It was a simple policy enforced with constant brutality, quaintly described as:

‘More lash, more cash.’

1200px-LSPEntrance-Angola being a former slave plantation, post-Civil War convicts would have barely noticed the difference. Race played a huge part in penal policy in both states. When rape was a capital crime not a single white Mississippian was executed, although many were convicted. Black rapists, on the other hand, especially those whose victim was white, knew that conviction meant almost certain death.

It was only slightly less biased regarding murder. Records show that since Mississippi achieved statehood the vast majority of inmates executed have been black. Historically, Louisiana has always executed far more black inmates than white regardless of their crime. Even though Louisiana and Mississippi were among the first states to offer alternatives to execution for murder anyone non-white, poor or both could expect to keep a date with the hangman.

Even today, a black murderer, especially of a white victim, is far more likely to die than the other way round. According to statistics released in the 1980’s black murderers are four times more likely to receive a death sentence than white ones. Contrary to the American ideal all citizens are not equal under the law even now. They were even less equal when Old Sparky and Gruesome Gertie were doing their rounds.

Both states originally employed hanging in whichever county the crime was committed. After many bungled hangings both states adopted electrocution, a supposedly more humane alternative. The states took control, but with a uniquely Southern twist. Louisiana and Mississippi were the last US states to take their executions in-house, but the first to make them a portable affair. Both ‘Old Sparky’ and ‘Gruesome Gertie’ would make their first official appearance in 1941.

By 1940 most states used a single purpose-built facility for confining and executing inmates. Sing Sing’s infamous ‘Death House’ segregated the condemned and once they went in they seldom came out. Mississippi and Louisiana did it differently. In the 1930’s Mississippi also had the highest murder rate of any state, more executions suited the public and political mood.

There were some serious obstacles to this idea. Being Mississippi’s only maximum-security prison at the time Parchman was the obvious location. Unfortunately Parchman’s chief, Superintendant Marvin Wiggins, was firmly opposed to siting Death Row at his prison. Wiggins, a shrewd and highly-connected man was firmly opposed to executions at Parchman and he wasn’t alone.

Parchman is in Sunflower County and Sunflower residents feared it being stigmatized as the ‘death county.’ They loathed the idea of hosting both executions and condemned inmates with nothing to lose by rioting and attempting escape.

Both they and Superintendent Wiggins also feared increased unrest at Parchman, already known as one of the worst prisons in the US. According to author David Oshinsky in his book ‘Worse than Slavery’ one local politician stated: ‘Place that thing at Parchman and you’ll have riots and a wholesale breakout to descend hundreds of criminals down upon our people.’

Sunflower’s residents weren’t alone in that. No other county wanted to be known mainly for executions, either.

Tradition also played its part. Hangings had always been conducted under county jurisdiction. If a prisoner was condemned in a particular county then that was where they also died. Many believed that public hangings performed locally reassured law-abiding communities and intimidated their criminals. Local executions also made punishment more relevant to local communities and less remote than if done in one place alone.

If change was to be made, then the State needed to take control of executions while retaining their visibility, avoiding stigmatizing any one county and providing a less inhumane method than regularly-bungled hangings. A compromise was needed. Mississippi and Louisiana duly found one.

In 1940 Mississippi adopted electrocution and Louisiana followed the next year. After Louisiana only West Virginia would begin using electrocution but, in 1940, riding the lightning was the preferred option for most states. Louisiana’s last hanging was a quadruple on March 7, 1941 in Caldwell.

At Caldwell, William Heharg, William Landers, William Heard and Floyd Boyce, all escaped convicts convicted of murder (and unusually all white) climbed the scaffold’s 13 steps and dropped through its trapdoor. 13 had proved very unlucky indeed for them, but no longer for anyone else. Louisiana lightning was now the order of the day. All Gruesome Gertie needed was a victim.

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The retribution roadshow

Their compromise involved, for the first time in American history, a portable electric chair. It would travel from county to county in a large silver truck also carrying a generator, switchboard, cables and all the standard equipment. Supplied by a firm in Memphis, both states took the show on the road providing death on wheels.

The equipment and its transporter were far cheaper than a purpose-built ‘death house’ like Sing Sing’s which appealed to politicians and taxpayers alike. It also made death more local and the message harder to ignore. At a time when many people were born, lived and died without leaving their local area an execution on the other side of the state was unlikely to make much impression.

Also, with illiteracy very common, a small squib in their local paper would likely go unnoticed, let alone feared. People seeing the truck arrive and hearing its generator from several blocks away got a message unmistakable to citizens and criminals alike. Especially if they weren’t white and wealthy;

‘This is what happens to law-breakers. Don’t forget it…’

It had never been done before. In fact, nobody had even built a portable electric chair before, let alone used one. The method, however, was infinitely less unusual than Mississippi’s new executioner.

Mississippi’s new ‘State Executioner’ was Jimmy Thompson, a strange man with a violent past. An ex-convict, ex-merchant sailor, frequent drunkard, carnival showman, stage hypnotist and ex-Marine, Thompson had only recently been pardoned in 1939 after serving time for highway robbery.

During the 1920’s Thompson had also shot a neighbor for insulting his mother, escaping prosecution via an unwritten law of Southern life. At that time a man was allowed to shoot another man to defend a woman’s body or personal reputation. Needless to say this law only extended to white men, certainly not black men shooting whites on similar grounds.

Thompson was a curious character to put it mildly. He’d scratched a living on the carnival circuit as a stage hypnotist performing as ‘Doctor Zogg’, ‘Doctor Alzedi Yogi’ and, appropriately, ‘Doctor Stingaree.’ He was heavily tattooed, a natural performer and exhibitionist. He loved entertaining with hypnosis and jugs of illegal moonshine.

Thompson secured the job via State Governor Paul Johnson. Thompson and Johnson were old friends so it was no great surprise that Thompson beat five other applicants, none of whom knew Johnson personally. Whether he was in any way an appropriate person for such a task is altogether more debatable.

In September, 1940 the equipment was ready for its public unveiling in the State capital Jackson. Thompson arrived, set up, started the generator and worked the controls. While a crowd followed his every move, the carnival showman cycled the voltage up and down while the generator roared and the current whined. According to an article in Life magazine dated October 7, 1940:

‘Crowds saw a big silver truck, a portable generator and a sturdy chair complete with helmet straps and electrodes. Beside it stood Mississippi’s new executioner, Jimmy Thompson, ex-sailor, marine, carnival man and high tension expert. No less proud of his chair than of the black cat, snakes and strawberries tattooed on his velvety skin, he explained that he and his volts would travel from county to county as business required’

Other press reports were far less favourable. The Memphis Commercial Appeal bitterly criticized the exhibition as barbaric and tasteless, stating:

‘The only thing lacking at Thursday’s formal and public exhibition of the State’s new electric chair was a victim.’

At $100 per execution plus expenses Thompson was as keen to start work as Mississippi was to demonstrate its new concept. Mississippi wanted to show off its latest innovation. Thompson was keen to start making regular visits to the drunk tank after every execution, spending as much on fines for public drunkenness and disorderly conduct as he did on booze. It wasn’t long before both would be satisfied.

Like most of Mississippi’s condemned Willie Mae Bragg was black. He’d been convicted of murdering his ex-wife in Lucedale. With the State keen to demonstrate its new method and Bragg inspiring no sympathy in appellate judges he was first in line.

His date of execution was October 11, 1940. Bragg fully expected to die, but didn’t know he was about to make State and penal history. He would be the first convict to die in a portable electric chair. Another black Mississipian, Hilton Fortenberry, was executed on the same day in Jackson.

Hortenberry was the last Mississipian to hang. As a black murderer of a white retired police officer, Hortenberry knew full well he would keep his date with the hangman. While Fortenberry hanged in Jackson, Bragg burned in Lucedale. It was an historic day for Mississippi. Out with the old, in with the new.

His guilt confirmed, Bragg’s execution was also assured. Whether Mississippi’s desire to demonstrate its new toy made it more certain we’ll never really know. Thompson arrived at Lucedale Courthouse on October 10 to set up what he’d already nicknamed ‘My killing machine.’ After some fairly basic tests to ensure all was ready, ‘Dr. Stingaree’ and Willie Mae Bragg were all set to make history. Press interest within Mississippi and further afield was enormous.

Electrocutions were nothing new and Bragg a typical condemned inmate, but a portable electric chair was a world first. If all went well Mississippi could trumpet  its new invention. If things went badly the press would have an even bigger story. Either way, Jimmy Thompson and his ‘killing machine’ would be center-stage. Nobody involved was especially concerned about Willie Mae Bragg.

It’s also highly unlikely that anybody considered the dreadful fate of William Kemmler at New York’s Auburn Prison in August, 1889. The world’s first judicial electrocution had been a nightmarish exhibition of just how badly wrong untested methods can go. Whether the portable version would be equally appalling remained to be seen.

By this point Hilton Fortenberry was largely ignored. Journalists were far more interested in this latest innovation whether it worked properly or not. Death on wheels was far more newsworthy than yet another hanging, botched or otherwise. So newsworthy, in fact, that a photographer from the Jackson Clarion-Ledger was there to record this historic event standing only feet away from the chair.

The potential for horrendous problems was large. Granted, judicial electrocution had been considerably refined since William Kemmler. It was now done using permanently-sited, largely-standardized equipment operated by experienced professionals. Furthermore, New York and many other States insisted on employing only executioners who were also qualified electricians. Many ‘State Electricians’ worked in the electricity industry prior to their appointment as executioners.

Mississippi on the other hand was about to test a generator, switchboard, cables and electrodes that had been bounced around in a truck for hundreds of miles before its first use. They were also employing an executioner with no electrical repair or maintenance skills who, as far as we know, had never performed an execution. Electrocution was familiar, but this way of using it was anything but.

It was totally untested, nobody knew if it would work. The generator, cables, switchboard and electrodes could malfunction. If any of the equipment malfunctioned Bragg might receive no current, receive too much (and be burnt to death) or too little (and be slowly cooked alive).

Thompson himself claimed that both he and his assistant had been trained by experienced ‘electrocutioners’ but he’d never actually electrocuted anybody and had a reputation for excessive drinking. Even if the equipment functioned perfectly, Thompson might not. Anybody worried about potential problems had ample reason to be.

As it was their worries were unfounded. Thompson did his job, the equipment worked perfectly and Bragg died as quickly and cleanly as he could have done. The Jackson Clarion-Ledger thoughtfully provided explicit captions with its photographs. As Bragg was being prepared the caption read:

‘At the left Bragg sits in the chair and watches as guards strap his arms.’

Accompanying a photograph taken while the current was switched on another caption read:

Willie Mae Bragg- Oktober 1940- Lucedale- Mississippi
Thompson’s first ‘customer.’ Note Thompson’s hand working the switch,.

‘The picture at the right was made as the first flash of electricity surged through his body. Note Bragg’s hands gripping the chair and his neck bulging in death’s throes.’

Thompson, always ready to supply an attention-grabbing soundbite, stated that Bragg had died:

‘With tears in his eyes for the efficient care I took to give him a good, clean burning.’

It wasn’t until the remarkable failed electrocution of Willie Francis in Louisiana in 1946 that the technical pitfalls of portable electrocution would be shown in horrifying fashion.

The Jackson Clarion-Ledger had its banner headline and exclusive photographs, Thompson had his first fee and the new method had been proved sound. The Clarion-Ledger also managed something very rare in criminal history by photographing the execution. Previously, the only live image of an electrocution had been taken secretly at New York’s Sing Sing Prison in January, 1928 by newspaper photographer Tom Howard.

His secret snap of Ruth Snyder, taken only seconds after executioner Robert Elliott threw the switch, clearly shows Snyder as 2000 volts flowed through her body. It’s still one of the most famous images in media history. After Snyder’s execution, prison officials in many states thoroughly searched witnesses before executions. Even today it’s strictly forbidden to photograph or film an execution in any US State.

Thompson himself was effusive about his successful debut and subsequent ‘fry parties’ as he charmingly called them. In an interview given to Craddock Gains Thompson supplied some choice comments. Thompson seemed to think condemned inmates were grateful for his apparent skill at killing them, stating that he told each of them:

Brother, I sure appreciate your trade. I’m going to show my appreciation by giving you a nice clean job. I’m going to give you the prettiest death a guy can have.’

Describing how he thought inmates regarded him Thompson delivered a curious response. Mississippi had several inmates already condemned to hang when electrocution replaced the gallows. These inmates were given a choice between hanging or electrocution. According to Thompson, it was a measure of their faith in his ability that all those with a choice chose electrocution. He even believed them grateful to die at the hands of so skilled an executioner, stating:

‘You can’t imagine how much that helps a poor peckerwood in the death chamber unless you have seen the grateful eyes these men turn upon me when they place themselves in my hands. I guess I just have a talent for this sort of thing. Condemned men seem to trust me, and I never let ’em down.’

Mississippi authorities were far more co-operative with the press than elsewhere in the country. The angle, distance and clarity of the pictures prove the photographer was only feet away, obviously photographing quite openly. They not only co-operated but actively encouraged him. The images, unpleasant though they are, are valuable in their rarity.

Thompson, being a natural showman, seemed utterly unaffected by his grim work and to positively revel in the notoriety he attracted. Future events showed that those in authority had no problem with his professional skill, but were far less impressed by his self-publicizing antics between executions.

Thompson continued as ‘travelling executioner’ for several more years, but his lucrative notoriety didn’t last. In December, 1944 a new State Governor was elected, replacing Thompson’s close friend and original employer Paul Johnson. Governor Thomas Bailey lost no time replacing Thompson with C W Watson although his reasons remain unclear.

No official records exist of Thompson’s hiring and firing but in December, 1946 a report appeared in the Jackson Daily News detailing a shooting accident in which Thompson was slightly wounded, describing him as the ‘former State executioner.’

Thompson could have been replaced for several reasons. Political patronage was an important factor in being employed by the State and, without a patron, finding or keeping State employment was difficult. The new Governor might have employed a friend or acquaintance as his predecessor had done. Thompson’s heavy drinking and perpetual exhibitionism could have been distasteful enough that Bailey wanted somebody less bizarre and more discreet. Perhaps Thompson himself may have simply decided to move on.

We’ll probably never know whether Thompson resigned or was fired, although his exhibitionism and regular arrests for post-execution drunkenness probably didn’t help him much. What we do know is that his being replaced coincided almost exactly with Bailey’s election and Johnson’s departure.

Executioners at the time were often private contractors employed by multiple States. Most of New York’s executioners did brisk business with neighboring States like New Jersey, Massachusetts, Pennsylvania, Vermont and Connecticut. Robert Elliott was employed by all those States at the same time. Elliott was so busy that on January 6, 1928 he executed six men in two different States on the same day. Elliott performed three electrocutions at the Massachusetts State Prison that morning before taking a train to New York and another triple execution that night.

Gruesome_Gertie_unloadedJimmy Thompson was gone. His ‘killing machine’ wasn’t, now being carted around by Watson. During its 15-year tenure the chair executed 73 inmates. 56 black men, 16 white men and 1 black woman died in courthouses and county jails all over Mississippi. Nearly a dozen were still juveniles aged under 21. Willie Mae Bragg was the first. On November 10, 1954 murderer James Johnson became the last.

Willie McGee, convicted of rape in what many still consider a blatant injustice, achieved international attention. McGee’s case went to the US Supreme Court three times during his eight years awaiting execution. Celebrities such as William Faulkner, Albert Einstein, Paul Robeson and Josephine Baker spoke out against his execution and President Harry Truman came under international pressure to commute McGee’s sentence. Even Soviet spy Julius Rosenberg, himself awaiting execution at the time, publicly condemned McGee’s case as demonstrating all that was wrong with American society.

McGee was executed at the Laurel County Courthouse on May 8, 1951 in the same courtroom in which he’d been convicted in 1945. True to form, the Mississippi media made an impression. There were no photographs this time, but a local radio station broadcast a commentary that was syndicated nationwide.

The recording of McGee’s final half-hour is available online for those who can stomach hearing the generator noise rising and falling while locals cheer and shout the ‘Rebel Yell’ in the background. It’s not easy listening but, like the Willie Mae Bragg photographs, is still an important part of the historical record.

Jimmy Thompson died in a traffic accident on October 12, 1952. He was a passenger in a pick-up truck when it crashed and Thompson was thrown from the vehicle, suffering fatal injuries. He was 56 years old when he died. He left a sister and five brothers, but no children of his own. His life and work later formed the basis for the movie ‘The Travelling Executioner’ starring Stacy Keach as Jonas Candide, a very-thinly veiled version of Thompson himself.

Filmed largely at Alabama’s Kilby Prison (where Samuel Hall met his singular end) and released in 1970 it performed poorly at the box office, widely considered too unusual to be a mainstream hit. Nor was it particularly accurate. That said, Thompson himself would have been highly gratified to be portrayed by so famous an actor and it’s absolutely clear Thompson’s life and work inspired the movie.

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The then-new gas chamber at Parchman.

Mississippi continued using the portable electric chair James Johnson was executed on November 10, 1954. In 1955 it was replaced by what Superintendent Wiggins and residents of Sunflower County had always feared. A gas chamber was installed at Parchman and the Maximum Security Unit built to house only condemned inmates.

C W Watson and his assistant Thomas Berry Bruce would now ply their trade in one place only. Wiggins loathed only one thing more than taking charge of executions and that was the possibility of a botched one. With Mississippi’s newly-installed gas chamber would soon provide that as well.

The first Mississippi convict to die by gassing was Gerald Gallego, a murderer and escaped convict. Unlike the portable electric chair, Mississippi’s gas chamber had a nightmarish debut. Gallego walked his last mile reciting the Lord’s Prayer to the strains of eight other dead men walking singing ‘Up Above There’s A Heaven Bright.’ Seated and strapped in the chair nicknamed ‘Black Death’ Gallego suffered for over 45 minutes before dying. If he did see a heaven bright Gerald Gallego was probably wishing he’d see it a little faster.

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Mississippi’s first ‘gassee’ Gerald Gallego Senior. Gerald Junior also ended up on Death Row.

The mixture of sodium cyanide and dilute sulfuric acid had been incorrectly brewed leading to a less-than-lethal concentration of cyanide gas. Gallego coughed, spluttered, gasped and writhed for over thirty minutes, but didn’t die.  In a complicated, potentially-lethal procedure a new batch of brew had to replace the old batch hurriedly drained away from beneath the chair.

That done, the airtight door was re sealed and the cyanide and acid mixed again. This time it worked and Gerald Gallego was dead. In 1957 Watson was replaced by Bruce, Watson’s bodyguard and then deputy executioner since 1951.

In 1987, days before the execution of Edward Earl Johnson and not having gassed anyone since Tim Jackson in 1964, Bruce found himself replaced by Charles Tate Rogers and then Donald Hocutt. Despite the Gallego disaster Mississippi continued using the gas chamber until 1989 when the method changed again to lethal injection.

Prisoners condemned prior to the change were given the option of choosing gas or injection. Today lethal injection is the sole method used in Mississippi, the location is still Parchman. Death Row had finally come to Sunflower County and business was still reasonably brisk.

Local residents and even prison staff at Parchman still observe a curious tradition reflecting the long battle to keep executions out of Sunflower County. Mississippi’s condemned are housed at the ‘Maximum Security Unit’ or ‘MSU.’ Even today, despite executions and their location being public knowledge, Parchman still doesn’t officially have a Death Row.

If you visit, you’ll probably be told they don’t have one and be directed to ‘MSU’ instead. Even today the ghosts of long-dead Mississippians, local residents and condemned inmates alike, still dispute one of the darkest aspects of Mississippi’s history.

Louisiana did things slightly differently. Granted, their equipment was similar. A large truck travelled from the feared state prison at Angola (still America’s largest prison) and visited parish jails and courthouses dispensing law to the lawless. Race was also a factor, most of Louisiana’s condemned being non-white, but there were differences.

Where Mississippi followed tradition, nicknaming their chair ‘Old Sparky,’ Louisiana’s retribution roadshow was provided by ‘Gruesome Gertie.’ Now long retired, Gertie resides at the prison museum at Angola, occasionally making guest appearances in movies like Monster’s Ball.

Where Mississippi often had many witnesses in attendance, Louisiana only allowed around a dozen including the executioner, a doctor and a priest. The biggest difference was their choice of executioner. Grady Jarratt was a former lawman from Texas, who worked Gertie throughout her travels. When Gertie was permanently installed at Angola in 1957 Jarratt continued in the job until 1961.

During his 67 executions the difference between Jarratt and Thompson couldn’t have been greater. Jarratt made his debut on September 11, 1941, electrocuting Eugene Johnson in Livingston Parish for murder and robbery. His last was on June 9, 1961 when Jesse Ferguson died in St. Landry for murder and rape. Jarratt also performed Louisiana’s only female electrocution, that of murderer Toni Jo Henry in Calcasieu Parish on November 28, 1942.

Where Thompson was a born showman, reveling in the notoriety his grim profession brought him, Jarratt was actually a professional. Born in Texas in 1888 he was widely known in Louisiana, but didn’t seek publicity. A tall, burly man known for his white Stetson and cowboy boots, he was also known for his absolute professionalism when on the job, checking the chair, generator, cables, electrodes and straps thoroughly. As former Angola Warden Hilton Barber described him:

“Everything had to be right up to snuff, even the leather. He would take it in his hands and ply it. If it had a crack in it then we’d have to make a new one. He was very particular.”

For an executioner Jarratt was also a personable man. Where Thompson was obnoxiously showy, Jarratt made a point of politely meeting and greeting witnesses, trying to put them at their ease in what was undoubtedly a nervy, tense situation. He was even polite to those he was about to kill, making a point of addressing them by name. The last words his prisoners ever heard were “Goodbye, (insert name here)” right before he threw the switch.

Skilled and competent, Jarratt was the antithesis of his opposite number.

Willie_Francis_(1929-1947)Jarratt, ever the professional, would insist on a perfect set-up and thorough testing even though Angola’s chief electrician would check everything before the chair left the prison. Unfortunately for Willie Francis, however, Jarratt was unavailable for his execution on May 2, 1946. It was a case that would make state and national history.

Captain Ephie Foster usually delivered the chair, but he’d never actually thrown the switch. Jarratt being unavailable, Foster was slated to electrocute Willie Francis in St. Martinville Parish. Foster, though he delivered the equipment, had never actually thrown the switch and his assistant, convict Vincent Venezia, hadn’t either. Venezia was assistant to Angola’s electrician E.J Usnault, but wasn’t qualified.

Both men arrived at St. Martinville the day before and both spent the night drinking heavily and inviting anyone who wanted to watch to turn up at St. Martinville’s jail. Even while setting up and testing the chair and generator they were seen, still hungover from the night before, passing a flask back and forth. The result was both appalling and unforgettable.

When Francis was seated and strapped Foster threw the switch and the current surged. There wasn’t enough current. Francis, in great pain, wasn’t merely still alive but able to speak even while Gertie did her best to silence him forever. As the generator roared, heard blocks away from the parish jail, Francis was clearly heard explaining that it wasn’t working.

The first jolt had failed. Foster shouted outside to Venezia:

“Give me some more juice down  there!”

Venezia couldn’t, replying:

“I’m giving you all I’ve got now!”

At that point the most unlikely voice made itself heard. Despite being masked, restrained with heavy leather straps, the head electrode and another leather strap cinched tight under his chin, Willie Francis still managed to clarify the situation;

“I AM N-N-NOT DYING!”

With that announcement Francis, the only convict ever to walk away from his own electrocution, was taken back to his cell. After a lengthy legal battle taken to the US Supreme Court, which inexplicable felt he should be executed again, he returned to St. Martinville on May 9, 1947.

This time Jarratt was in charge. This time, with a competent professional checking the machinery and pulling her switch, Gruesome Gertie did her job properly. Once more Willie Francis, 15 at his first execution and only 16 at his second, was seated, strapped and capped. Jarratt, true to form, checked everything.

“Are the straps too tight?”

“Everything is just fine.”

“Is there anything you want to say?”

“Nothing at all.”

“Goodbye, Willie.”

Jarratt immediately hit the switch. Willie Francis, survivor of Gruesome Gertie first time round, didn’t survive the second. Seated at 12:05pm, he was dead at 12:12.

Memories of his highly-dubious conviction, botched execution and the Supreme Court’s preferring the letter of the law over the spirit of justice still live on.

Jarratt continued as ‘electrocutioner’ until 1961. By the time Gertie found her permanent home at Angola in 1957 Jarratt had been through a divorce and begun drinking heavily. He started regularly downing a half-pint of whiskey before an execution and another half-pint afterward.

His last execution, that of Jesse Ferguson on June 9, 1961, saw Gruesome Gertie lie dormant until Robert Wayne Williams on December 14, 1983. By then Gertie had lain dormant for over 20 years, posing a significant problem.

Jarratt had died on June 1, 1973 and no American had been executed for nine years. Many states had also replaced their chairs with lethal injection in the meantime. Gruesome Gertie had spent 19 years in storage.

Jarratt’s replacement, a Baton Rouge electrician known under the alias ‘Sam Jones’ (Louisiana’s Governor when Gruesome Gertie replaced the gallows in 1940) hadn’t actually executed anyone before.

The result was a serious lack of knowledge of how to actually electrocute a prisoner, what should happen and what shouldn’t. Astounded by the brutality of Williams’s death, Angola’s Warden Ross Maggio had to consult outside sources to find out whether Williams had actually died as he was supposed to.

220px-Louisiana_chairAfter this somewhat shaky start, Louisiana soon relearned by experience. After Williams another 19 inmates would ride the lightning before Gertie was finally retired. Her last victim was Andrew Lee Jones on July 22, 1991. Both Old Sparky and Gruesome Gertie had  become museum pieces having long outlived their custodians.

And their victims.

On This Day in 1953 – Louisa Merrifield, the Blackpool Poisoner.


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Louisa Merrifield, Blackpool’s boastful poisoner.

It’s a fact that, for all their ruthlessness and guile, murderers can and do make the most idiotic mistakes. Louisa Merrifield was certainly one of them. Born in 1906, Merrifield was a liar, a fraudster, a cheat and ultimately a murderer. Today in 1953 her criminal career ended abruptly at the end of Albert Pierrepoint’s rope. She was the third-to-last woman to hang in Britain and the fourth to die at Strangeways, a prison with a long history of executions.

Her crime, the murder of her employer in 1953, was a squalid affair. She’d worked for some time (and numerous different employers) as a domestic help and housekeeper when she went to work for Sarah Louise Ricketts. Ricketts was a cantankerous, quarrelsome pensioner who happened to own her own home, a bungalow worth £3-4000. That was a considerable sum for the time. Given wartime bomb damage and post-war austerity, it was also a relative rarity. Louisa (and possibly her husband Alfred) took a homicidally-keen interest.

Merrifield was a braggart, habitual liar and social climber. Always boastful and arrogant despite her lowly station, she was also highly dishonest. When she was hired she’d been in over 20 similar jobs since 1950 and frequently been fired or quit over her poor attitude and alleged pilfering. She’d also served time for ration book fraud. Not liked or trusted by her many previous employers, it didn’t take long before her latest (and last) started sharing their opinion. Mrs Ricketts didn’t last much longer, either.

On March 12 Merrifield took the job. Within a week or two her employer was complaining bitterly. According to Ricketts (herself not much of a people person) the Merrifields weren’t feeding her enough, were spending a lot of her money on alcohol and were generally bad company.

Louisa in particular was already laying plans to be far worse than bad company. She was already boasting that Mrs Ricketts had died and left the Merrifields her home even while Ricketts herself was in perfectly good health. This wasn’t smart and, in time, would do as much as anything to put her at the end of a rope.

On April 9 events took a sinister turn. Merrifield asked her employer’s doctor, Doctor Yule, to certify that Ricketts was competent to make a new will. Not unusual in itself, Ricketts habitually changed her will depending on which beneficiary had annoyed her lately, but it came back to haunt Merrifield at her trial. Dr Yule would later clarify his own position:

‘She said the reason why she wanted me to go was that the old lady might die at any minute with a stroke or a disease and she wanted to keep herself all right with the relatives.’

On April 13 one of Yule’s partners, a Doctor Wood, was irked to be called out by Merrifield who claimed Ricketts was seriously ill. Being called out in the dead of night only to diagnose mild bronchitis annoyed Wood no end. As he later testified at Merrifield’s trial:

‘I remonstrated with Mrs. Merrifield for calling me out, as I thought, under false pretences.’

This was circumstantial, but did a great deal to imply that Merrifield was already playing to the gallery, trying to prove her employer was already on her last legs. The timing also proved highly suspicious as, the very next day, Ricketts mysteriously died.

Still playing to the gallery, Merrifield asked the local Salvation Army band to stand outside the house playing ‘Abide with Me.’

Suspicions were almost immediate. Merrifield, despite having called a doctor to a seemingly-slightly ill patient one day, now had a body on her hands the next. This time, equally suspect, she decided not to call him out. When asked about this abrupt change of heart she responded by saying there wasn’t much point in summoning a doctor for a patient who was obviously dying.

Merrifield’s final blunder was her demand for a quick cremation and that Ricketts’ family not know of her sudden death. According to funeral director George Henry Jackson Merrifield didn’t want Ricketts’:

‘Two daughters to know she was dead or have anything to do with the funeral.’

Aside from contradicting what she’d already told Doctor Yule, this looked suspicious in and of itself. A post-mortem was ordered and the funeral delayed. Ricketss hadn’t died of a stroke or a disease, she’d been poisoned with phosphorous-based rat poison sold under the name ‘Rodine.’ By a curious coincidence, Louisa Merrifield had also recently bought a can of Rodine, signing her own name in the pharmacist’s Poisons register in order to do so. Both Louisa and Alfred Merrifield were arrested and charged with murder.

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Rodine, then made using highly toxic yellow phosphorous,

Police soon discovered her purchase of a poison similar to that found in the victim. They also noticed that the can itself had vanished which was strange. Rat poison is normally something people keep in a cupboard or locked away, using a little at a time. They don’t usually buy a whole tin and then discard it almost immediately. Considering the other evidence it wasn’t finding the Rodine that was so incriminating.

It was highly incriminating that they hadn’t…

Merrifield’s boasts about her inheritance, coming as they did while the deceased was alive and in relative good health, sank her at her trial. Arrested in mid-April, Louisa and Alfred Merrifield’s trial began on July 20 with Mr Justice Glyn-Jones presiding.

Three doctors testified against her, as did several acquaintances regarding her boasts of an inheritance. One of her many previous employers, Mrs. Lowe, had received a letter stating:

‘I got a nice job nursing an old lady and she left me a lovely little bungalow and thank God for it.’

It was dated two weeks before Ricketts had actually died. Acquaintance Jessie Brewer also gave evidence. Relating one particular conversation she recounted Merrifield saying:

‘We are landed. We went to live with an old lady and she died and she’s left me a bungalow worth £4000.’

Remembering that they’d had this illuminating little chat three days before Ricketts actually died, it had been Brewer who first alerted police. Added to the proof of Merrifield buying rat poison similar to that found in the victim’s body and that poison having mysteriously disappeared, it was never a hard job for the jury. After only six hours deliberation they rendered their verdict;

Guilty, with no recommendation for mercy.

The evidence against her was overwhelming. Alfred was discharged for lack of evidence, Louisa wasn’t. Convicted of murder by poison, Mr Justice Glyn-Jones could only pass a mandatory sentence of death. Before that he had some harsh words for Louisa Merrifield, describing her crime as:

‘As wicked and cruel a murder as I ever heard tell of.’

With that he donned the Black Cap, a square of cloth traditionally a gesture of mourning for the soon-to-be-deceased and recited the traditional sentence:

‘Louisa Merrifield, you shall be taken from this place to a lawful prison and suffer death by hanging…’

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Albert Pierrepoint, King of the swingers.

She was shipped to Strangeways Prison in Manchester to await the outcome of her appeal, which failed. Chief public hangman Albert Pierrepoint received a letter asking him to officiate. So did one of Pierrepoint’s assistants, Robert Leslie Stewart. Her final chance of avoiding her date with the hangman remained with Home Secretary David Maxwell Fyfe who could intercede up to the last moment. In her case he was never going to. It’s said that, unlike for virtually any other kind of murderer, the Home Office had an unwritten rule regarding condemned poisoners;

They were never to be reprieved.

Even if the jury had recommended mercy it would probably have made little difference. Juries could recommend mercy in capital cases, but plenty of prisoners with recommendations, Derek Bentley for instance, still died. Conversely, there were many reprieves granted to prisoners jurors would have wanted hanged. It’s highly likely that the option to recommend mercy was simply there to make jurors feel better about sending a prisoner to the condemned cells.

The trial judge’s private report would have carried far more weight. Made after a conviction and comprising the judge’s opinion of the trial and particularly the prisoner’s conduct, it would have been important to any Home Sceretary weighing up a possible reprieve. Given the judge’s opinion of Merrifield’s crime it’s unlikely, even without the unwritten rule, that she stood any chance of mercy.

The Condemned Cell or ‘execution suite’ at Strangeways was by now almost standard for every hanging jail. The cell itself consisted of two standard cells renovated to provide a larger single room. The lights were always on when it was occupied and an eight-person team of ‘Capital Charge Officers’ were permanently on duty guarding her 24 hours a day.

These were volunteers brought in from other prisons. Working in two-warder teams they took eight-hour shifts, night and day, week after week. There weren’t as many weeks as you might think. Justice moved rather faster in the hanging era, only three clear Sundays were permitted between sentencing and execution and some prisoners died within 18 days of sentencing. They seldom lasted longer.

When the time came two more warders, warders Merrifield had never met before, took over. It was felt unreasonable to expect warders to spend days and weeks getting to know a prisoner only to take part in their execution. Britain’s chief public executioner Albert Pierrepoint had never met her either, nor had his assistant Robert Leslie Stewart. Their acquaintance was, as usual, shatteringly brief. As the clock started chiming at 8am they went into her cell. By the time it’s last chime Louisa Merrifield was already dead. By lunchtime she would be buried, as per tradition and the law, in an unmarked grave within the prison walls.

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John Ellis, One of Pierrepoint’s predecessors, Ellis came to an unhappy end himself.

Some say she still remains there. They claim to have seen her ghost haunting Strangeways, still walking around the area in which she spent her last weeks. If so, she’s in appropriate company. According to some former prison staff and inmates another former visitor is sometime seen floating around near the old condemned cell. Apparently it’s former chief public executioner John Ellis who resigned in 1923, taking his own life some years later.

Crime does make for strange bedfellows, after all.

As for her husband Alfred, he did well out of Mrs Ricketts’ murder and his wife’s execution. Having been discharged without a trial he could (and did) inherit a half-share of the bungalow in which he lived for some years. When he wasn’t there Alfred was a regular at Blackpool’s beachfront side-shows talking about the case. He died in 1962 aged 80.

On This Day in 1924 – Howard Hinton, Georgia’s first electrocution.


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The former Central State Prison Farm at Milledgeville, since demolished.

It’s common to find ‘Peachtree Bandit’ Frank Dupre, armed robber and murderer executed on September 1, 1921 with Luke McDonald, listed as the last man to hang in Georgia. He wasn’t. That was Arthur Meyers, a murderer hanged at Augusta on June 17, 1931 for a murder committed in March, 1924.

It’s equally common for the same reports to list a ‘Howard Henson,’ electrocuted on September 13, 1924, as the first Georgian to ride the lightning. He wasn’t, his name was actually Howard Hinton. Hinton was executed for rape and robbery or, to put it more delicately, ‘assaulting a white woman. Hinton, 1920’s Georgia being 1920’s Georgia, was an African-American.

So, with that in mind, why the confusion? The Georgia Assembly, thanks in part to Dupre’s execution, had passed a law on August 16, 1924 mandating a switch (no pun intended) from the gallows to the electric chair. Anyone sentenced to die after that wouldn’t hang in whichever county they were convicted, but would be taken to the Georgia State Prison then located at Milledgeville. From then on only those already sentenced to hang would face the gallows operated by their resident County Sheriff.

Even before Hinton walked his last mile at Milledgeville James Satterfield and Harrison Brown still faced the rope. After Hinton, Warren Walters, Gervais Bloodworth, Willie Jones and Mack Wooten would also keep their date with the hangman. Not until Meyers would Georgia’s gallows find itself finally consigned to history, by which time there had been 6 more hangings and 66 electrocutions.

 

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Georgia’s Old Sparky.

Georgia’s method had changed. Its procedure had changed even more. Instead of County Sheriffs the Warden at Milledgeville now became Georgia’s only official executioner. Granted, County Sheriffs would occasionally still jerk their levers, but Milledgeville’s Warden would be throwing a switch.

County Sheriffs were now relegated to a supporting role, escorting their condemned to Milledgeville any time between twenty and two days before their scheduled date of execution. At Milledgeville the Warden would be assisted by a qualified electrician, two doctors, a guard and two assistant executioners. The condemned could also have their lawyers, relatives, friends and religious representatives with them when their time came. Appropriated on August 27, 1924 the Georgia State Prison’s death chamber cost $4760.65.

The decision to change Georgia’s method and procedures had been overwhelmingly endorsed by the state’s House of Representatives. They’d voted 115 to 45 in favour with 46 abstentions. It hadn’t been universally approved, though. Milledgeville is located within Baldwin County and Baldwin Representative J. Howard Ennis wasn’t happy.

Echoing the concerns raised decades later by Marvin Wiggins, Superintendent of Mississippi’s State Penitentiary in Sunflower County, Ennis decried the idea of Baldwin being known as the ‘Death County’ if executions there became a permanent feature. It did no good. Just as Wiggins was later ignored in Mississippi, Ennis’s pleas met deaf ears in Georgia. Wiggins was saddled with Mississippi’s new method, the gas chamber replacing the state’s portable electric chair. Ennis was saddled with the method Mississippi would later replace.

Old Sparky had come to the Peachtree State. Old Sparky was there to stay. As Georgia’s County Sheriffs had once plunged their inmates into eternity, Milledgeville’s Warden would offer them Southern hospitality for law-breakers;

A short walk and a comfortable chair.

Sparky’s reign in Georgia would be long and inglorious, lasting until the electrocution of murderer David Loomis Cargill on June 9, 1998. Sparky’s lair remained at Milledgeville until 1938. 14 years and 162 executions later Willie Daniels provided its farewell meal before moving to the new Georgia State Prion at Reidsville, dying in the chair on December 27, 1937.

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Lena Baker, executed in 1945 and later exonerated.

At Reidsville business was even more brisk. 256 inmates (including the now-exonerated Lena Baker) would meet their ends. First to walk his last mile was murderer Archie Haywood on May 6, 1938. The last was murderer Bernard Dye on October 16, 1964. Sparky wouldn’t be put to work again at Reidsville, moving again to the euphemistically-named Georgia Diagnostic and Classification Center in Jackson in June, 1980. The original chair was pensioned off, replaced by another. Georgia would have to wait three years to christen the new chair.

That came on December 15, 1983 when murderer John Eldon Smith became its first victim in almost 20 years. He wasn’t far from being its last. Until May, 2001 when Georgia replaced bottled lightning with bottled poison, another 22 convicts would be seated, strapped, capped and killed. In May, 2001 Gerogia’s chair finally met its end, replaced by lethal injection. In October of that year the Georgia Supreme Court finally pulled the plug. Old Sparky was now cruel and unusual punishment. By the time the chair became history it had taken 440 men and one woman with it.

It’s a sobering thought that Arthur Meyer (last to hang) and Howard Hinton (first to be electrocuted) were both African-Americans. It’s even more sobering to consider that the majority of Georgia’s executions, regardless of method, have been non-white. It’s also an unfortunate fact that Milledgeville wasn’t just the first place in Georgia to see an electrocution, but also the first capital of the Southern Confederacy.

Jim Crow has cast a long shadow.

On This Day in 1977 – Hamida Djandoubi, last man to face a French guillotine.


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The dawn on September 11, 1977 dawned damp and grey for the citizens of Marseilles, especially those residing in Les Baumettes Prison. All the inmates (and some of the staff) were were in a dark mood as they contemplated the rising of the dawn and the falling of executioner Marcel Chevalier’s blade. Inmates of ‘Death Alley’ were equally subdued. If they were relieved at that day not being theirs they were too tactful to show it.

For Hamida Djandoubi, however, this was his day. Nobody involved yet knew it, but it would be the last time, both in France and Western Europe, that a prisoner would embrace the infamous ‘Widow’ and lie between the ‘Timbers of Justice.’ It would be the last time Chevalier, descended from a long line of executioners, would perform the grim office of ‘The Executioner of High Works.’

Capital punishment had been under debate in France for many years. The guillotine itself had been both a political and humanitarian statement. Egalitarian in principle, it became the only method of execution for French civilians regardless of rank and social class. No more did peasants swing limp on the rope while the axe and sword were reserved for their social betters. No longer would people be burned, broken on the wheel or hung, drawn and quartered. When Charles-Henri Sanson debuted his new device, beheading highway robber Nicolas-Jacques Pelletier on April 25, 1792, everybody was to get a quicker and cleaner death.

Djandoubi would be the last.

By 1977 death sentences were rare and executions even rarer. Much of the French public and its politicians had turned against the death penalty. When Chevalier inherited the job from his uncle Andre Obrecht in 1975 he worked only a few times, although he his son was at Djandoubi’s execution to assist and watch should he succeed his father. Judicial death in France had long been a family affair, after all.

Executioners, disparagingly nicknamed ‘les bourreaux’ by their countrymen, occupied a contradictory place in french society. Until the execution of German serial killer Eugen Weidmann in June, 1939 the French public hadn’t minded turning out in their thousands to watch these men work, but had always despised and shunned them at the same time.

Schools refused to accept their children. In the days of regional executioners they were forced to live just outside whichever town or village they lived in. Even bakers would keep the executioner’s bread separate so their other customers would know their bread wasn’t tainted, an old French folk tale said that anything touched by the executioner was also touched by the Devil himself. Even churches refused to marry them, except into the families of other executioners. By the time Chevalier became last to perform his office all French executioners could be traced to only a handful of families, not always illustrious ones at that.

8053966631_4749cd2e3eAfter Weidmann executions would always be performed in private within prison walls. Hamida Djandoubi’s date with ‘bourreaux’ Marcel Chevalier would be poorly-attended by official order.

Not that people called him a ‘bourreaux’ much any more. In 1870 the term had been outlawed and calling anybody a ‘bourreaux’ became a crime. The same changes also mandated that only one chief executioner would be required and he was required by law to reside in Paris. Overnight the regional executioners lost their jobs, although some did continue as assistant executioners or ‘valets.’ Now that ‘Monsieurs de (insert town here) were largely out of work there was only one chief and he bore a sinister nickname;

‘Monsieur de Paris,’ the ‘Man from Paris.’

It became a phrase dreaded in French prisons, especially in the cells forming ‘Death Alley.’ For a long time prisoners didn’t know their execution date until the official party came to take them from their cells. Until 5am every morning, by which time executions for the day would have been performed, every condemned prisoner dreaded the sound of a guard saying to a colleague ‘Monsieur de Paris est arrivee.’

‘The Man from Paris has arrived.’

Who would it be, they wondered? Whose cell would be unlocked? Who would be taken away never to return, perhaps kicking and screaming on their final walk? Until 5am they didn’t know but, for at least one of them and maybe more, the time between four a five in the morning was when they’d find out.

Would the keys rattle in their cell door..?

With no chance of a commutation or stay, Djandoubi knew his time was almost up. At around half-past four it was his turn to hear those keys rattle like a skeleton’s bones. He was told what time it was and why he had official visitors. Led away from Death Alley for the last time he was accompanied by his lawyer and ready for the final acts of his personal drama.

Djandoubi, a French-Tunisian by birth and pimp by profession, had tortured and murdered his sometime girlfriend Elizabeth Bousquet. She’d refused his increasingly insistent efforts to become one his working girls and, his harassment getting worse, had reported him to police and he’d spent 11 months in prison. He avenged himself on her after his release in Spring 1973.

After abducting her and torturing her with lit cigarettes, on July 3, 1974 he’d taken her to the outskirts of Marseilles, strangled her and dumped her body. It was a brutal, squalid and utterly unnecessary murder that drew no pity from judges, jurors or anyone able to stop his execution.

Before he could die the traditional French bureaucracy had to be observed. Paperwork had to be completed paroling the prisoner into the (very temporary) custody of Chevalier and his assistants. French law dictated that no convict could be guillotined, so Djandoubi had to be freed in order to be killed. With that taken care of the ‘toilette du condamne’ could begin.

‘Le toilette’ was rather more practical. Djandoubi, wearing the traditional red sweater of the condemned, had his hands and feet tethered with string. He could walk, but not run or struggle. His neck was bared, the sweater cut with scissors and eased down around his arms to avoid jamming the blade. He was offered a last cigarette and a glass of spirits. Now all was ready and, for Djandobui and the guillotine itself, all was finished.

The end came quickly. Standing before a door leading into the prison yard Djandoubi was held by two of Chevalier’s valets and marched quickly to his fate. He was laid face-down on ‘le bascule,’ a sliding wooden board. When the blade fell its impact would cause Djandoubi’s body to ounce from the bascule into the traditional wicker coffin beside it. A nod to the days when executions were regarded as public entertainment, the French nicknamed it the ‘family picnic basket.’ As the bascule slid him into position ‘le lunette,’ the traditional wooden collar, was quickly slipped down over the back of his neck. With everything ready Chevalier wasted no further time. One last look ensured nobody was at risk from the falling blade and Chevalier pushed a button. No photograph exists, but this image of Weidmann’s execution is very similar to what Djandoubi faced.

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The blade fell. Hamida Djandoubi was dead.

So was the death penalty. France finally abolished capital punishment in 1981 after a vote in the National Assembly. The guillotine became a museum piece (albeit an embarrassing exhibit seldom displayed in public) and Chevalier, last of ‘les bourreaux,’ was out of work. Between Djandoubi’s execution and final abolition every death sentence was respited,  the authorities seeing no point in further executions.

As Djandoubi’s body, spirit and head simultaneously parted company, centuries of tradition were died with him. Like Djandoubi and many thousands of others, ‘les bourreaux,’ the death penalty and the  ‘National Razor’ were no more.

Today, they are seldom missed.

 

 

 

 

 

 

On This Day in 1909, Vere Thomas ‘St. Leger’ Goold: A long way from Tipperary.


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A long, long way as it turned out.

When Vere Goold took his own life on this day in 1909 he was far from Tipperary (his ancestral home) and everything else he’d ever known. Once the son of a prominent Irish family, a talented boxer and Wimbledon tennis star, he died a convict, murderer and the property of the Penal Administration, French Guiana.

So, how exactly did this gentleman fall so far from grace? What left a potentially great tennis player and socialite to be rubbing shoulders with France’s lowest-ranking people in history’s worst convict prison? How on earth could a man of noble birth die so ignoble a death?

The answer, as is so often the case, was a woman. Two women, to be exact.

Goold had won the Irish tennis championship in 1879, also making the final at Wimbledon that year. A few months later he tried his hand the first open championship at Cheltenham. Again, he reached the final and, again, he tasted defeat. After that his form declined and he gave up tennis completely.

After that his life dissolved into drinking, drugs and general debauchery. A man of vanity and personal weakness, he was easy game for women of predatory natures. When he met Marie Giraudin in London, he was exactly what she was looking for. Twice married already, with expensive tastes, minimal funds and increasing debts, she saw him as a ripe pigeon to be plucked. In 1891 they were married. In 1907, having figured out what they thought was the perfect system for gambling and, posing ‘Lord and Lady Goold,’ there was only one place to go to make their fortunes, Monte Carlo.

Every year many casino towns greet many gamblers who bring many infallible systems. These infallible systems usually fail, the casinos  usually profit and the gamblers usually go home broke or seriously in debt. The Goolds were no exception apart from one thing:

They didn’t go home. Murder, prison and suicide were the results.

Having gone broke within a matter of weeks they borrowed money to try and recoup their losses. Among their creditors, to whom they owed the then-princely sum of £40, was a Swedish socialite Emma Levin. A wealthy widow, Ms  Levin was accompanied by a friend, Madame Castellazi. Soon Ms Levin had Marie Goold for company as well. Castellazi and Goold almost immediately hated each other.

A very public contretemps between them saw Levin, horribly embarrassed, decide to leave Monte Carlo. Before she left, however,  she made it clear she wanted back the £40 she’d lent the Goolds. The Goolds, however, seeing her obvious displays of wealth while in Monte Carlo, wanted rather more than a mere £40 loan from Ms Levin. They were prepared to kill to get it.

On the night of August 4, 1907 Ms Levin promptly vanished and so did ‘Lord and Lady Goold.’ They had, however, reckoned without Madame Castellazi who was waiting at Levin’s hotel to leave town with her. Knowing that Ms Levin had gone to collect the debt from Marie Goold (of whom Castellazi was by now deeply afraid) and Ms Levin not having returned despite it being after midnight, Castellazi informed the police. The police and Madame Castellazi immediately visited the Goolds.

The Goolds had already left for Marseilles, leaving behind Marie Goold’s young daughter Isabelle. They’d also left behind a bloodstained saw and axe and Ms Levin’s parasol, although they’d remembered to take a large steamer trunk. A large steamer trunk, by a macabre coincidence, that was big enough to hold a human being. Both Madame Castellazi and les gendarmes were by now deeply concerned.

They had every right to be. And so, as it happened, did ‘Lord and Lady Goold.’

Courtesy of a railway clerk named Pons local police had visited the luggage office at Marseilles railway station. At the luggage office they found a trunk belonging to the Goolds and dripping blood. Inside the trunk they found what was left of Ms Levin. She’d been murdered, dismembered and packed away like a box of unwanted baggage which, in a macabre sense, she was. The Goolds were immediately arrested.

It didn’t take long for Vere Thomas Goold, erstwhile socialite and sportsman, to confess to murder. Whether it was he or Marie Goold who planned the murder and struck the fatal blows will never be known for sure. Goold, clinging to whatever remained of his gentleman status, was prepared to take the fall. In France, of course, that fall could have been a guillotine’s blade, had the judge not seen it differently.

Seen as the prime mover in the murder Marie Goold was condemned to death. Her sentence was commuted despite this and she went to Montpelier Prison for life. She died there of typhoid in 1914. By then, of course, her husband was already dead.

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Abandon hope, all ye who enter here, Goold did.

Goold was shown mercy, in a sense. Instead of an appointment with the guillotine and its operator, known throughout France by his sinister nickname ‘Monsieur de Paris’ (‘the man from Paris’) he received a life sentence. Unfortunately for Goold life meant spending the rest of his in the infamous penal colony in French Guiana, the worst collection of hellholes any convict could hope to avoid. Goold couldn’t avoid Devil’s Island and on September 8, 1909, less than a year after arriving, he decided life there was more than he could bear. He was 55 years old.

On This Day In 1915: Five Die At Sing Sing.


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At dawn on September 3, 1915 Sing Sing Prison’s original Death House was almost full. With only eight cells and seven condemned men occupying them it was busy by Death House standards. It wouldn’t remain so for very long.

Today was a dark day for Death House denizens. Unusual even when Sing Sing’s death chamber was among America’s busiest, five of its residents were about to die. The other two were Death House luminaries. Father Hans Schmidt, who would die on February 18, 1916, was and remains America’s only Catholic priest executed for murder. Oreste Shillitoni AKA ‘Harry Shields,’ known to New York’s public and press as ‘The Paperbox Kid’ was even more of a stand-out.

Shillitoni would die on June 30, 1916. His execution would be delayed by the feat that made him famous. Already condemned and knowing his time was short Shillitoni managed something nobody else had done or would ever do. Using a smuggled pistol he murdered Office McCarthy before escaping from the Death House. Wounded and recaptured after only a few hours, Shillitoni’s body would feel the burn, but his legend would live on.

For now, though, Schmidt and Shillitoni would only watch and wait. Their turn would come, but not yet.

It had come for Antonio Salemme, Louis Roach, Thomas Tarpey, William Perry and Pasquale Venditti. Their appeals were exhausted, their lawyers were helpless, the Governor wasn’t feeling merciful and the clock was still ticking. One thing everybody knew, their race was run.

John Hurlburt, the second of five men to bear the euphemistic title of ‘State Electrician’ was also watching and waiting. Arriving the day before from his home at Auburn in upstate New York, it was his job to throw the switch. He would be concealed in a cubicle directly behind the chair, never seen by the reporters who’d be watching him work. A man who loved anonymity and loathed journalists, that suited Hurlburt just fine. Like his predecessor Edwin Davis, the world’s first ‘electrocutioner,’ he was afraid of publicity and the revenge it might bring. After testing and checking everything was in order he too had nothing to do but wait.

William Perry, 27 years old, from Harlem and the murderer of his girlfriend, was first to go. Second in line was an oddity in the Death House. Thomas Tarpey was British, a former soldier convicted of murdering a work colleague. His was a botched job requiring no less than five jolts before he died. After he was pronounced dead a Death House guard gave him an awed tribute:

“Wow! What a man.”

Pasquale Venditti and Lewis Roach were next.  Venditti hadn’t liked the price of his rent. Venditti’s landlord hadn’t liked being shot, either. Lewis Roach was a Montgomery County farmhand condemned for the murder of his employer. No judge or the Governor was prepared to intervene and so they died without further ado.

Antonio Salemme was the last of them. A Sicilian, Salemme had discovered on his wedding night that his new bride wasn’t a virgin. His honour and manliness insulted, Salemme had stewed over it. On June 12, 1914 while his wife lay asleep in their bed, Salemme slit her throat. He saw his honour restored and the supposed insult avenged. Judge, jury and state Governor saw it differently. His seat in Old Sparky was the result. As Salemme left Death Row he called his final goodbye to his fellows:

“Goodbye all!”

As Salemme walked his last mile, actually only a few steps through the single door between Death Row and the execution chamber, Shillitoni responded:

“Be strong, Antonio! God will provide for you! Say your prayers!”

Seated, strapped, capped and ready to die, Salemme said no more. In the cubicle directly behind him Davis got the signal. A cord was pulled, tightening round his hand, the signal to throw the switch. Another tug told him to shut off the power

Antonio Salemme was dead.

Of course, it didn’t end there. Hundreds more would die at the old Death House and the replacement opened in 1922. All told 614 prisoners would die in Sing Sing’s chair, the last being Eddie Lee Mays on August 15, 1963. They mainly died alone or in pairs although triple, quadruple and even the occasional quintuple execution would still occur. But not at the original Death House.

Situated in B Block, the execution chamber was right next to the condemned cells. During executions those whose turn was yet to come could hear everything. The fixing of the straps and electrodes, their condemned comrade’s last words, the clank of the switch, the hum of the current and the doctor pronouncing death. After the execution an autopsy was mandated by state law. The autopsy room being next to the death chamber, the prisoners could hear that as well. With a number of prisoners going insane a new Death House was built with its execution room and morgue well out of the sight and sound of the condemned. Custom-designed by state architect Lewis Pilcher to the very specific requirements of legendary Warden Lewis Lawes, it remains operational today as a vocational centre where inmates learn a trade.

Lawes, the New York death penalty’s most prolific practitioner and perhaps its fiecrest opponent, would have appreciated the change.

Orson Welles and the Black Museum.


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“This is Orson Welles speaking from London. The Black Museum, repository of death… Here, in this grim stone structure on the Thames which houses Scotland Yard, is a warehouse of homicide where everyday objects, a piece of wire, a chemist’s flask, a silver shilling, all are touched by murder…”

 

In today’s internet age there are a myriad of true crime podcasts. In the 1950’s there was screen legend Orson Welles (star of Citizen Kane and Waterloo among other film classics) presenting Tales from the Black Museum. First Welles, in his own inimitable style, describes the exhibit itself before narrating a dramatised version of the case its connected to.

For any true crime buff its a fascinating series of real cases with names changed to protect the innocent (and sometimes the guilty). For any podcaster it’s well worth sampling to hear a master at work. If you’re a fan of historic true crime then have fun testing your criminal knowledge by trying to identify the real cases behind the changed names.

The Black Museum, as any true crime buff knows, is a private collection of exhibits and evidence drawn from thousands of criminal cases investigated by the British police. Not open to the public, visits are by appointment and only to police officers or others its custodians consider appropriate. For anyone with a squeamish disposition its location is appropriate, sited in Room 101 at New Scotland Yard.

This was far from Welles’ first foray into radio, in fact it will always be overshadowed by his dramatisation of H G Wells’ War of the Worlds back in the late 1930’s. Originally broadcast in 1952 and syndicated for an American audience, European listeners first got to hear Tales from the Black Museum in 1953 on Radio Luxembourg. It’s since been repeated, usually a small selection of episodes instead of the full series, in the 1970’s, 1980’s and 1990’s. The BBC finally got round to airing a few episodes as late as 1994.

Courtesy of the Old Time Radio Researchers Group, all 53 episodes are available to hear online. They’re also downloadable as MP3 files. You can pop along and find the series, in full and free to hear and download, at the following address:

https://archive.org/details/OTRR_Black_Museum_Singles

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